Why I wrote The Ghost Notes

Several years ago I was writing a mystery set in New York that involved a missing husband and some unscrupulous people, when I came across an article in the New York Times, “A Violinist’s Triumph Is Ruined by Thieves”. Frank Almond, a Milwaukee Symphony Concertmaster, was stun gunned in a parking lot after a concert and his 1715 Lipinski Stradivarius was stolen. Later that year, I saw an article, “The Stradivarius Affair,” by Buzz Bissinger in Vanity Fair, that featured the same crime. Intrigued by the audacity of the crime and felt the universe was telling me something. I switched gears and wrote a mystery, The Ghost Notes, inspired by the violin heist. I wasn’t successful in securing a publisher so set the novel aside. In 2019, I saw an announcement for the Tribeca Film Festival that featured a documentary, Plucked, about the theft of the Lipinski Stradivarius. Tribeca Film Festival

My father was a musician and during high school and college, I worked in his music studio—stringing many guitars. Not having my father’s ear, I wasn’t able to perfect the acoustic tuning technique, using the Tartini Tones, but loved watching my father fine-tune each instrument. The first owner of the Lipinski Stradivarius, Guiseppe Tartini, contributed to the science of acoustics, inventing the “Tartini Tones,” the auditory illusion sometimes referred to as Ghost Notes.

This YouTube video features a violinist explaining the Tartini Tones

The 1715 Lipinski Stradivarius Violin’s History, Lore and Heist

History of the Lipinski Stradivarius

Violins are usually named after their first owner, but not the Lipinski. In 1715 Stradivarius sold the violin to Guiseppe Tartini, who later passed it on to one of his students, Signor Salvini. But Salvini after hearing Lipinski play, asked the man for his violin, smashed it to pieces against the corner of a table, and handed the Stradivarius to the shocked Lipinski. Finally, the violin had a home and a name. After Lipinski’s death, the violin passed through numerous collections until it ended in 1962 with Evi Liivak, a violin soloist from Estonia. When Liivak’s died, her husband, a concert pianist, refused to part with the instrument. But when he passed away in 2008, the violin was offered to Frank Almond, a Milwaukee Symphony Concertmaster. Almond after a concert was stun gunned in a church parking lot and his violin stolen. The instrument was recovered nine days later.

Guiseppe Tartini, and the Tones

Guiseppe Tartini contributed to the science of acoustics, inventing the “Tartini Tones,” the auditory illusion sometimes referred to as Ghost Notes. Often it is a low note perceived when the only sounds are high notes. It is useful in tuning a string instrument but some argue that it has an important role in the development of scales and temperament. This YouTube video features an explanation of the  Tartini Tones. Tartini’s compositions were numerous and illustrated his passionate and skillful style of execution.

Lore has it that in 1776, Tartini had a dream about the devil. Tartini asked the devil if he knew how to play the violin and the devil said he believed he could pick out a tune. Thereupon the devil played a sonata so exquisite that Tartini thought he had never heard any music to equal it. When he woke, he tried to write the composition but never succeeded to his satisfaction.  Il Trillo del Diavolo or The Devil’s Sonata, although is one of his best productions, Tartini believed it paled in comparison to satan’s.

Cremona, Italy

Cremona, Italy is a small city, 62 miles from Milan in Lombardy on the River Po. It is noted for the manufacture of violins in the 16th-18th century and the home of Antonio Stradivari. It is the perfect place to immerse oneself in the violin.

Statue of Stradarvari and a young boy
Statue of Stradarvari and a young boy

The city is full of music and even walking down the street, you will be treated to someone playing the violin.

Violinist playing on the street
Violinist playing on the street

 

 

 

 

 

 

 

The Torrazzo, one of Europe’s tallest surviving medieval brick towers, houses one of the world’s largest astronomical clocks.

Cremona is known for its artisan workshops that have been producing high-quality instruments since the 16th century. Today there is still a vibrant violin-making industry. The luthiers have quaint shops throughout the small city.

Luthier workshop
Luthier workshop
A Luthier in his shop.
A Luthier in his shop.

Trip to Taos

Angus says, “Are we there yet?”

I drove up to Taos in July with my husband and our Scottish Terrier Angus. We took the high road to Taos through Chimayo, Truchas, Ojo Sarco, and Las Trampas, then at Penasco headed north through the Carson National Forest. For a while, I thought I was in Washington State.

Carson National Forest

The trip was a research venture for my next book that takes place in Taos during two time periods—1929 and 2020.

El Pueblo Lodge, Taos, New Mexico

 

 

We stayed at a historic motor lodge, El Pueblo Lodge, in Taos. Great Breakfast buffet and a little place to sit outside our room to enjoy beer thirty.

 

 

We stopped on our way into town to tour Mabel Dodge Luhan’s compound, but we missed the visiting hours. They recommend calling ahead for times.

Mabel Dodge Luhan’s Compound – Los Gallos Taos, New Mexico

We ventured to the village of Arroyo Seco, which plays a role in my next book, both in 1929 and 2020. I tried to find the El Salto del Agua cave and waterfall, which also will be featured in my book but was unsuccessful.

The Village of Arroyo Seco, New Mexico

 

 

 

 

 

 

 

 

 

 

DH Lawrence Ranch

The five-mile drive up Lawrence Road, with Lobo Mountain in the distance was easygoing, unlike in years past when it was narrow, potholed, and often muddy.

 

The ranch house hadn’t changed much over the years. Still had cloudy windows and odd log cabin construction.
The long uphill climb to Lawrence’s chapel.
DH Lawrence Chapel. Frieda Lawrence’s ashes are entombed in the mound on the left.
The Alter Inside the small Chapel.
The inside of the Brett’s cabin. To the left is  a table with a typewriter and a pot belly stove.

 

 

 

Brett’s one-room cabin.
DH and Frieda’s house at the ranch.
The Ponderosa Pine Tree outside DH and Frieda’s house on the ranch. Georgia O’Keefe did a painting of the tree in 1929 and named the painting Lawrence’s Tree.

South of Santa Fe

Map South of Santa Fe

Diamond Tail Ranch is private land and not accessible. New Mexico Jeep Tours in the past had permission to bring visitors to the isolated, mountainous region. Now only wild horses and cattle roam the ranch. The ranch property is posted and off-limits. There is a roadblock on Hagen Road east of where the La Madera Road dead ends.

You can venture toward the ranch through Tijeras Canyon.  Head north on  Route 14 past the turn-off to the ski basin. Then take La Madera Road which skirts the foothills of the Sandia Mountains and winds its way towards the ranch.

Before La Madera Road deadends at Hagan Road, on the west side is the Golden Open Space which provides two hiking trails. The north trail takes you to the lookout with views of the land surrounding the ranch and the San Felipe reservation.

Check out a YouTube video of a mountain biker zooming along the trail.

https://youtu.be/s-XEpeXWfi8

San Felipe Pueblo, NM  (Katishtya)

https://en.wikipedia.org/wiki/San_Felipe_Pueblo,_New_Mexico

Tonque Pueblo

Tonque is an ancient abandoned Native American pueblo, whose ruins reside on the San Felipe Reservation. The property is near the historic Hispanic village of Placitas and the ghost town Hagen, an abandoned mining community.

In the 1970s and 80s, my husband and I often visited the area. Once we drove his 1933 Chrysler out to the Pueblo and ended up spending the night under the stars. We woke in the morning surrounded by currious cows.

Image of Tonque and surrounding area

The history of the Pueblo and the surrounding area always interested me. Years ago, we had permission from the Diamond Tail Ranch foreman to bring university students and school children on field trips. We dug dry clay, formed pinch pots, and burnished them for pit firing.

 

There were many petroglyphs etched into the canyon walls.

Image of Tonque Brick Factory

Tonque Brick and Tile Company

In 1912, during Hagan’s coal mining development, a brick factory was constructed at the southwestern corner of the pueblo ruins. The company made use of the rich clay deposits for thirty years producing bricks and tiles.

A brick from the Tonque Brick & Tile Company

San Filepe Pueblo, Katishtya

Carvings

San Filepe Pueblo, Katishtya, is located in New Mexico’s middle Rio Grande valley at the foot of the Black Mesa. From time immemorial we have resided in areas known today to be Arizona, Utah, Colorado, New Mexico, and beyond, and have been at or near our current location for many hundreds of years.

San Felipe Pueblo is between New Mexico’s capitol, Santa Fe, and its largest city, Albuquerque. The Pueblo of San Felipe consists of approximately 3,700 enrolled tribal members and approximately 68,000 acres.

Coronado arrived in 1540, as did Juan de Oñate in 1598, who made their claims. In 1689 the Spanish government recognized the sovereignty of the pueblos through land grants and gifts of the canes of power.

When Mexico won independence from Spain, San Felipe Pueblo became part of Mexico from 1821- 1848. In 1848 under the Treaty of Guadalupe Hidalgo, San Felipe and New Mexico became part of the United States of America as a territory. The United States Congress upheld the Pueblo’s Spanish Land Grant in 1858 and the land was patented to the Pueblo of San Felipe by President Abraham Lincoln in 1864. President Lincoln also gave the Pueblo’s Governor another silver-tipped cane.